Game, a my trip to aruba essay in french joint project of Johanna Drucker and Jerome McGann, now being developed at Speculative Computing Laboratory at the University of Virginia. Moloch whom I abandon! Just as the history of print literature is deeply bound up with the evolution of book technology as it built on wave after wave of technical innovations, so the history of electronic literature is entwined with the evolution of digital computers as they shrank from. If those weird religious sects that demand their members have as many babies as possible could copy-paste themselves, we would be in really bad shape.
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Or it can end in Robin Hansons nightmare (he doesnt call it a nightmare, but I think hes wrong ) of a competition between emulated humans that can copy themselves and edit their own source code as desired. Like, by what standard is building gigantic forty-story-high indoor replicas of Venice, Paris, Rome, Egypt, and Camelot side-by-side, filled with albino tigers, in the middle of the most inhospitable desert in North America, a remotely sane use of our civilizations limited resources? People are using the contingent stupidity of our current government to replace lots of human interaction with mechanisms that cannot be coordinated even in principle. From a gods-eye-view, its easy to see everyone should keep the more enjoyable option and stay hunter-gatherers. Personality and Social Psychology Review, 8(4 364-382 Reber, R, Brun, M, Mitterndorfer, K: "The use of heuristics in intuitive mathematical judgment Psychonomic Bulletin Review, 15(6 Orrell, David (2012). Although he under-estimates the ways in which narrative forms can also be disruptive, he nevertheless makes a strong case for electronic literature as an experimental practice grounded in the materiality of the medium. Whereas the traditional humanities specialize in articulating and preserving a deep knowledge of the past and engage in a broad spectrum of cultural analyses, the "cool" bring to the table expert knowledge about networked and programmable media and intuitive understandings of contemporary digital practices. In another essay, " The Affective Fallacy which served as a kind of sister essay to "The Intentional Fallacy" Wimsatt and Beardsley also discounted the reader's personal/emotional reaction to a literary work as a valid means of analyzing a text. The question everyone has after reading Ginsberg is: what is Moloch? The collaboration between the creative imagination of the (human) writer and the constraints and possibilities of software is the topic of Ian Bogost's Unit Operations: An Approach to Videogame Criticism, in which he develops an extended analogy between the unit operations of object-oriented programming and. With sufficient technology we will be able to give up even the final spark. At siggraph 2006, Unheimlich, a collaborative telematic performance created by Paul Sermon, Steven Dixon, Mathias Fucs, and Andrea Zapp, was performed mixing audience volunteers (among them the media artist Bill Seaman) placed against a bluescreen background on which were projected images of actors improvising.